


How Billy built the verses, (harmonica) hook AND the chorus from the same chord progression – and which tiny variations make it so re-usable.The intro – to the note (let’s get riffin’ and runnin’!) – which is probably one of the best known piano intros of all time.Premium Couturians please tune in this Sunday 15:00 Amsterdam time (missed it? replay available in the Couturians’ Lounge)īut first and foremost, have fun with this weeks video tutorial of “Piano Man”! LESSON | CONTENTS That’s why I decided to devote a dedicated live stream lesson this lesson this Sunday (May 21, 2017) for all Premium Couturians, where we’ll dive even deeper and take an up close and personal look into all kinds of different aspects as to why this tune is just so good (and in C! how convenient for learning 😀 ). This one really is golden – and quite the friend impresser – for just about everything ranging from chord knowledge, voicing, arranging to technical skills and more. Listen, watch and soak up to learn from the best.

His “Piano Man” is one of those paramount examples of how he controls the full skill set of Pop-Piano. Except he set a way better example than is being followed through nowadays 🙂. In a time that’s both super-exciting and utterly rough (more in-depth personal story in the newsletter and to follow soon on this blog), I’ve managed to squeeze out this awesome lesson – which eventually took me over two weeks to create (not because of the difficulty of the tune, but due to said troubles).īilly Joel is one of the grand-fathers, the founders of Pop-Piano as we know it. Billy Joel’s classic “Piano Man” uses hints of Jazz, Blues and Pop-Piano and is an embodiment of Piano Couture’s chordal approach to playing piano. Probably the most iconic piano song of all time.
